Scavenge for Movie Props

Prop gathering and creation was a thrill during the production of INDEFINITE. Pre-production is less tense than when cameras are rolling and lights are blazing a scene.

The script was crafted with a lean intent—minimal props for maximum impact. Story choices were built around props and rides we could hustle. The prop list was a stripped-down inventory of crucial items. The essentials punctuated the raw, authentic action movie vibe.

In May 2007, we threw together the master props list. Co-director Christopher Kuiper and I split the prop gathering in half. Below is a copy of the Google Spreadsheet in PDF format.

Indefinite movie breakdown spreadsheet.
Indefinite movie breakdown spreadsheet.

Vials of Mystery

The key ingredient to the story for INDEFINITE focused on the mysterious orange vials.

We collected the vials at American Science and Surplus. The place is always an adventure. It is a treasure trove of freakish finds like a full skeleton. Yellow police “Caution Tape” was snagged as well. Turns out, it was never needed.

Vials & pouch.
Vials & pouch.

“Bang Bang” Fake Guns

The action in INDEFINITE was punctuated by guns and martial arts. Christopher snagged some killer-looking airsoft guns to amp up the danger vibe. Violent moments needed to feel real.

Safety was always top priority. No airsoft pellet BBs nor CO2 cartridges were allowed on set. The actors only wielded those noiseless guns for the fake “bang bang” shots.

Multiple styles of airsoft guns were purchased. Christopher snapped photos of each actor holding their distinct prop gun for continuity.

Jessica Marking as a thug. (With prop airsoft gun.)
Jessica Marking as a thug. (With prop airsoft gun.)

A Bucket of Bullet Casings

We cooked up a ferocious kitchen shootout of bullets flying everywhere. We planned to scatter bullet casings around the kitchen floor. These would be intercut with shots of CGI bullets tearing through the air. 

Christopher hit up a shooting range to scavenge a few bullet casings. He thought he’d grab a handful for free, but he shelled out cash for a small bucket instead.

Our hunger to create a profound action scene was bigger than our appetite. A production designer or props master needed to be added to the team to assist. The bucket of bullet casings never left the basement staging room. 

Killer Knife?

The only “dangerous” weapon on set was a jagged army tactical knife. A piece of history from Christopher’s father’s time in the Korean War.  Legend has it, he fended off two attackers with that very blade. Or maybe it was a dusty relic found in the garage?

The knife stayed sheathed throughout shooting except for key close-ups. “The Man in the Mask” was waiting to strike Otto’s street soldier.

Joseph Janswig as "The Man in the Mask".
Joseph Janswig as “The Man in the Mask”. (With prop knife.)

Light It Up

A blue-hot torch blazed the final boss showdown. I have a friend that crafts metal sculptures. He was stoked for his cameo.

Glen Popple & a.k.a. Chuck Finley.
Glen Popple & a.k.a. Chuck Finley. (With torch.)

Mask Art

Artist Pete Stolowski’s art was integrated into the kitchen scene to deepen the mask theme. Paintings on CD covers coat the kitchen walls.

Darrin Alston Jr., R. Michael Gull, & Nick Caminata.
Darrin Alston Jr., R. Michael Gull, & Nick Caminata. (CD art added to the wall.)

A dark wooden mask hid on a shelf. The mask was swallowed by shadows due to lack of light. We failed to not spotlighting the art. A few close-ups mixed into the shootout with bullets ripping past would have strengthened the intensity.

Darrin Alston Jr, Kyle Berg. (With mask art)
Darrin Alston Jr, Kyle Berg. (With mask art)

Sculpted Surprise

We scored big time. A quick chase scene was planned to bridge scenes together. As we scouted the set we noticed a sculpted tree with a face carving. We knew we had to light that thing up. The tree added flair to the film.

Tree with face carving.
Tree with face carving.

A Wig Unseen

The bike theft scene was in the fall. Principal photography was kicked off earlier in the summer. Actor Joe Fransee had to slip back into the “The Man in the Mask” costume. The big reveal required him to remove helmet to show his face.

Joe chopped his hair to short light blonde. The black was gone from when filming started. My sister, a hair stylist, came to the rescue. I wore a black wig while my sister tailored it to look like Joe’s black hair.

I missed a chance to grab a selfie to show the before and after of the wig styling.

The Rides

The family van proved to be the perfect vehicle for a random car jacking and chase scene. Christopher painted text on the van for another visual cue.

Van with paint.
Van with paint.

My Chevy Beretta made an appearance as the car driven by “The Man in the Mask”.

Chevy Beretta.
Chevy Beretta.

For more “prop” notes, check out The Mask post. The post goes through how the mask was crafted, the leather pouch, and the tactical vest treatment.

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